Hanu-Man (2024) Movie| Release Date, Review, Cast, Budget & Box office collection
Released: January 12, 2024
Director: Prasanth Varma
Starring: Teja Sajja, Varalaxmi Sarathkumar
Budget: Approximately ₹25 crore
Box Office: ₹50 crore (as of January 16, 2024)
Rating: 4.5 out of 5 stars
In the vibrant land of Anjanadri, where folklore whispers of ancient deities and mythical powers, emerges Hanuman, not the legendary vanara warrior, but an ordinary young man named Hanumanthu. Directed by the visionary Prasanth Varma and starring the energetic Teja Sajja, Hanuman is not your typical superhero movie. It’s a soaring leap of faith, a testament to the potential of Indian cinema to craft myth-inspired narratives for a global audience.
Made on a budget of 25 crores, Hanuman punches above its weight in terms of visual spectacle. The CGI work, while not entirely flawless, captures the magic of Hanumanthu’s journey from mischievous village lad to a man grappling with extraordinary abilities. The underwater sequence in the latter half is particularly stunning, showcasing the world’s depth and grandeur.
The story unfolds at a measured pace. Initially, it feels like a light-hearted coming-of-age tale, with Hanumanthu’s playful antics and adolescent swagger carrying the screen. Then, a twist of fate propels him into a hidden world, unlocking his dormant powers. The transition from a carefree youth to a reluctant hero is handled deftly, showcasing Teja Sajja’s impressive range. He embodies the innocence and confusion of a man burdened with newfound responsibility, yet flashes moments of determination that hint at the epic transformation to come.
The narrative skillfully blends mythology with modern sensibilities. We see nods to the Ramayana, but Hanumanthu isn’t a mere retelling. He’s a contemporary hero facing relatable struggles of self-discovery and moral compass. The supporting cast, particularly Varalaxmi Sarathkumar as a fierce tribal leader and Nivetha Pethuraj as a childhood friend, shines alongside Sajja. They provide emotional anchors and intellectual challenges, shaping Hanumanthu’s path.
One of the film’s greatest strengths is its exploration of faith. Without being overtly religious, it delves into the power of belief, both personal and societal. Hanumanthu’s journey questions the definition of heroism and divinity, challenging viewers to contemplate what truly makes a hero.
However, the film isn’t without its flaws. The pacing can feel uneven at times, and the climax, while emotionally charged, might leave some viewers wanting more. The CGI, while admirable for its ambition, does occasionally dip in quality, especially in action sequences.
Despite these imperfections, Hanuman remains a remarkable achievement. It’s a visually stunning, emotionally resonant film that breathes new life into age-old legends. Prasanth Varma’s masterful direction creates a world that feels both grounded and fantastical, while Teja Sajja’s captivating performance anchors the narrative.
Box Office Collection:
Hanuman surprised critics and audiences alike, breaking box office records for a Telugu film made on a modest budget. As of January 16, 2024, it has garnered over 50 crores domestically and is steadily climbing the international charts.
The film has received overwhelmingly positive reviews from critics and audiences alike. Praises range from its visual spectacle and engaging story to its nuanced portrayal of faith and themes of self-discovery. Social media is abuzz with fans praising Sajja’s performance and applauding the film’s daring reimagining of a mythological hero.
Hanuman is more than just a superhero movie; it’s a landmark film that redefines the genre for Indian cinema. It’s a thrilling adventure, a poignant coming-of-age story, and a thought-provoking exploration of faith and heroism. While not without its shortcomings, Hanuman leaves audiences soaring with anticipation for the next chapter in this epic saga. If you’re looking for a film that will transport you to a world of wonder and challenge your expectations, Hanuman is a must-watch.